BOOK
Time Hunter
The Clockwork Woman

Author: Claire Bott
Telos Publishing
www.telos.co.uk
RRP £7.99 (paperback), £25.00 (deluxe hardback)
ISBN 1 903889 39 1 (paperback)
ISBN 1 903889 40 5 (deluxe hardback)
Available 17 June 2004


Honoré and Emily find themselves imprisoned in the 19th century by a celebrated but unscrupulous inventor. Help comes from an unexpected source: a perfectly constructed humanoid automaton, created by - and to give pleasure to - its owner...

This impressive debut book by Claire Bott combines such intriguing elements as the Pinocchio story, Mary Shelley's Frankenstein, and A Vindication of the Rights of Woman by Shelley's mother, Mary Wollstonecraft. Frankenstein is reflected in the character of the clockwork woman's unhinged creator, Sir Edward Fanshawe, and an angry mob that assembles towards the end of the novella. The story of Pinocchio comes into play when the automaton begins to take on the characteristics of a proper human being. Dove, as the artificial woman ultimately chooses to name herself, is partially inspired in her emancipation by the writing of Mary Wollstonecraft, whose work is quoted by the author.

Prior to her liberation, Dove lives a life of servitude under her master, who uses her for his own sexual gratification. The notion of sexual slavery is a repugnant one, and the horror of it is driven home all the more effectively by the matter-of-fact manner in which Dove, from whose perspective the majority of the tale is told, reports her servitude to the reader. She herself possesses no sense of touch, because her creator did not see fit to bestow such a gift upon her, and is therefore incapable of feeling erotic pleasure. This attitude reflects the Victorian "lie back and think of England" mentality, which assumed that women could not or did not need to achieve sexual satisfaction.

However, her years of experience at pleasing her master mean that Dove can easily earn money once she, Honoré and Emily have escaped from Sir Edward's house. The fact that prostitution aids her liberation makes for an interesting bit of moral ambiguity (who is exploiting whom when a man pays a woman for sex?), though Bott soon circumvents this paradox by later making the woman the unwilling prisoner of a brothel.

The sexual content of the book, which includes a scene in which Dove is made to perform intercourse before an audience, including Emily, would have been extremely controversial had it been included in the Doctor Who novella range, the predecessor to this series. However, the author handles her subject in an extremely skilful and moving way, and the end result is emotionally intense rather than tawdry.

A stunning debut.

Richard McGinlay

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