Ginger Snaps Unleashed

Starring: Emily Perkins
Mosaic Entertainment
Certificate: 18
Available 25 October 2004

Brigitte, sister of Ginger who became a werewolf in the original film, carries the tainted blood of her dead close relation. She puts herself through regular bouts of bloodletting and injects herself with Monkshood (or Wolfsbane) a poison used to stave off her transformation, keeping a journal of her gradual degeneration. After a near miss with a werewolf which is tracking her with the intentions of mating, Brigitte wakes up in an asylum. Deprived of the drug she desperately needs, and with the beast's violent killings getting ever closer, she realises she has to escape...

Unexpected help comes in the form of a young girl, Ghost, who tells Brigitte she is only there because a guardian works in the building. They vacate the asylum through the ventilation shaft and into an abandoned area of the facility, and then drive to a remote building belonging to the deceased grandmother of Ghost, where they attempt to prepare themselves for the arrival of the werewolf. However, Brigitte's lupine characteristics are breaking through, and her only friend Ghost appears to be as mad as a Hatter.

For anyone who hasn't already seen the very enjoyable first film, Ginger Snaps, this sequel may come across as a mite confusing, especially during the early scenes. It wrongly assumes that everyone wanting to see this will be a fan, but that's often a mistake; sequels should strive for new audiences as well as established ones.

Aside from that complaint this is well worth watching, because it concentrates on Brigitte rather than werewolves. As I stated in my review of The Howling, directors should forget about showcasing the effects and concentrate on telling a good story. This is precisely what happens here; the main character and her anxieties drag you into her situation. Someone who is considered a worthless drug addict is in actual fact trying to save her own life and that of others by delaying her transformation. Emily Perkins achieves a very believable moody determination, and without it I'm certain this movie wouldn't be half as good.

The werewolf effects are acceptable, but by no means outstanding, which is why they are intelligently kept to occasional glimpses for most of the running time. In early scenes when she's alone, Brigitte is visited in visions by her dead sister Ginger. I can understand that this is the obvious way of creating dialogue and progressing the story when there is only one person present, but this was done first and best in An American Werewolf In London, and I would have preferred it to not happen here.

In all, a simple but effective film, but not quite to the same standard as its predecessor, and without much of the dark humour of Ginger Snaps. But you shouldn't let that put you off. Wait until next full moon... and then snap it up!

Ty Power